Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Saturday, March 28, 2020

The Coronavirus Circus


"People can start laughing for all sorts of reasons. But sometimes they laugh because, against all expectations, they’re still alive and have a mouth left to laugh with."—Terry Pratchett

How's everyone holding up?

We've been self-isolating for a week-and-a-half, and we're doing pretty well, all things considered. I'm grateful that I'm able to work from home—something I've always wanted to do. But in the end it's still work, isn't it? I'm still grateful for the weekend.

I'm also grateful for Loretta. I don't know what I'd do without her. The other day she went out to buy a few things at the grocery store during the hour they reserve for us seniors. I called out to her to be careful, which used to mean, "Watch out for crazy drivers," but now means, "Stay away from other people, and don't forget your disinfectant wipes and hand sanitizer."

Loretta has tried to keep us both active, mentally and physically, by proposing games, jigsaw puzzles, walks, and other activities. She even has us trying to learn the steps to the Laurel and Hardy dance routine from Way Out West. It's her way of coping. In return, I've tried to keep her laughing. Laughter is my way of coping.

I try to find the humor in any situation, which is probably why I'm one of the few people left on the planet who still reads the funnies.

"What are 'the funnies?'" I hear some of you ask.

You know—the comics? In the newspaper?

"What's a newspaper?" I hear some of you ask.

Ask your grandparents.

It's remarkable how little the comics have been affected by the COVID-19 outbreak. Most of them have completely ignored it. I realize cartoonists create their strips in advance, but surely enough time has passed for the Bumsteads, the Flagstons, and the Forths to be self-isolating, and for Pig to spray Lysol into Rat's beer when he orders a Corona in Pearls Before Swine.

It makes me a little uneasy to see these characters continue to go about their business as if nothing has changed—just as it now makes me uneasy to see people not practicing social-distancing on television shows, no matter how long ago they were made. (Why are Andy and Barney always shaking hands, anyway? They've known each other for years.)

I think the award for first mention of the coronavirus in a comic strip should go to Scott Stantis, for his Prickly City strip from Friday, March 20th:



It wasn't very funny, but then Prickly City rarely is—as Stantis himself pointed out in Tuesday's strip:



One of my favorite comic strips is Darrin Bell's Candorville. Bell began to address the pandemic on Monday, with his characteristically wry humor. Here are his strips from Monday and Tuesday:




Family Circus has never attempted to be remotely topical, so I didn't expect it to mention the pandemic. However, because Monday's strip was just begging to be recaptioned, I couldn't resist remedying that situation:



Since then, I've made it my daily project to fix Family Circus to make it more relevant. Here's the rest of the week:











Hey, I know it's silly to be spending so much time on something so trivial, when things are so serious. But I'm hoping it gives the people who see it a well-needed laugh. If Jeff Keane sees it, I certainly hope he laughs, and doesn't sue me for copyright infringement. (Remember, Jeff—parody is fair use!)

If it didn't make you laugh, I hope you find something to laugh at. It's times like these we really need to keep our sense of humor, and remember that we're all in this together.

As long as we stay at least six feet apart.

Saturday, December 14, 2019

A Moist Christmas Ghost Story


Of the many Christmas ghost stories I've read in the four years I've been collecting them, The Water Ghost of Harrowby Hall is by far the moistest. (Yes, I said “moistest.” Deal with it.) It's a typically English ghost story, set in a typically English manor, with a typically English cast of characters, told with typically English humor.

In fact, the only thing that isn't typically English about The Water Ghost of Harrowby Hall is its author. John Kendrick Bangs was American. His books are in the public domain, and can be downloaded free from Project Gutenberg.


The Water Ghost of Harrowby Hall
by John Kendrick Bangs (1894)


The trouble with Harrowby Hall was that it was haunted, what was worse, the ghost did not content itself with merely appearing at the bedside of the afflicted person who saw it, but persisted in remaining there for one mortal hour before it would disappear.

It never appeared except on Christmas eve, and then as the clock was striking twelve, in which respect alone was it lacking in that originality which in these days is a sine qua non of success in spectral life. The owners of Harrowby Hall had done their utmost to rid themselves of the damp and dewy lady who rose up out of the best bedroom floor at midnight, but without avail. They had tried stopping the clock, so that the ghost would not know when it was midnight; but she made her appearance just the same, with that fearful miasmatic personality of hers, and there she would stand until everything about her was thoroughly saturated.

Then the owners of Harrowby Hall calked up every crack in the floor with the very best quality of hemp, and over this were placed layers of tar and canvas; the walls were made waterproof, and the doors and windows likewise, the proprietors having conceived the notion that the unexorcised lady would find it difficult to leak into the room after these precautions had been taken; but even this did not suffice. The following Christmas eve she appeared as promptly as before, and frightened the occupant of the room quite out of his senses by sitting down alongside of him and gazing with her cavernous blue eyes into his; and he noticed, too, that in her long, aqueously bony fingers bits of dripping seaweed were entwined, the ends hanging down, and these ends she drew across his forehead until he became like one insane. And then he swooned away, and was found unconscious in his bed the next morning by his host, simply saturated with seawater and fright, from the combined effects of which he never recovered, dying four years later of pneumonia and nervous prostration at the age of seventy-eight.

The next year the master of Harrowby Hall decided not to have the best spare bedroom opened at all, thinking that perhaps the ghost’s thirst for making herself disagreeable would be satisfied by haunting the furniture, but the plan was as unavailing as the many that had preceded it.

The ghost appeared as usual in the room — that is, it was supposed she did, for the hangings were dripping wet the next morning, and in the parlor below the haunted room a great damp spot appeared on the ceiling. Finding no one there, she immediately set out to learn the reason why, and she chose none other to haunt than the owner of the Harrowby himself. She found him in his own cozy room drinking whiskey — whiskey undiluted — and felicitating himself upon having foiled her ghostship, when all of a sudden the curl went out of his hair, his whiskey bottle filled and overflowed, and he was himself in a condition similar to that of a man who has fallen into a water-butt. When he recovered from the shock, which was a painful one, he saw before him the lady of the cavernous eyes and seaweed fingers. The sight was so unexpected and so terrifying that he fainted, but immediately came to, because of the vast amount of water in his hair, which, trickling down over his face, restored his consciousness.

Now it so happened that the master of Harrowby was a brave man, and while he was not particularly fond of interviewing ghosts, especially such quenching ghosts as the one before him, he was not to be daunted by an apparition. He had paid the lady the compliment of fainting from the effects of his first surprise, and now that he had come to he intended to find out a few things he felt he had a right to know. He would have liked to put on a dry suit of clothes first, but the apparition declined to leave him for an instant until her hour was up, and he was forced to deny himself that pleasure. Every time he would move she would follow him, with the result that everything she came in contact with got a ducking. In an effort to warm himself up he approached the fire, an unfortunate move as it turned out, because it brought the ghost directly over the fire, which immediately was extinguished. The whiskey became utterly valueless as a comforter to his chilled system, because it was by this time diluted to a proportion of ninety percent of water. The only thing he could do to ward off the evil effects of his encounter he did, and that was to swallow ten two-grain quinine pills, which he managed to put into his mouth before the ghost had time to interfere. Having done this, he turned with some asperity to the ghost, and said:

“Far be it from me to be impolite to a woman, madam, but I’m hanged if it wouldn’t please me better if you’d stop these infernal visits of yours to this house. Go sit out on the lake, if you like that sort of thing; soak the water-butt, if you wish; but do not, I implore you, come into a gentleman’s house and saturate him and his possessions in this way. It is damned disagreeable.”

“Henry Hartwick Oglethorpe,” said the ghost, in a gurgling voice, “you don’t know what you are talking about.”

“Madam,” returned the unhappy householder, “I wish that remark were strictly truthful. I was talking about you. It would be shillings and pence — nay, pounds, in my pocket, madam, if I did not know you.”

“That is a bit of specious nonsense,” returned the ghost, throwing a quart of indignation into the face of the master of Harrowby. “It may rank high as repartee, but as a comment upon my statement that you do not know what you are talking about, it savors of irrelevant impertinence. You do not know that I am compelled to haunt this place year after year by inexorable fate. It is no pleasure to me to enter this house, and ruin and mildew everything I touch. I never aspired to be a shower-bath, but it is my doom. Do you know who I am?”

“No, I don’t,” returned the master of Harrowby. “I should say you were the Lady of the Lake, or Little Sallie Waters.”

“You are a witty man for your years,” said the ghost.

“Well, my humor is drier than yours ever will be,” returned the master.

“No doubt. I’m never dry. I am the Water Ghost of Harrowby Hall, and dryness is a quality entirely beyond my wildest hope. I have been the incumbent of this highly unpleasant office for two hundred years tonight.”

“How the deuce did you ever come to get elected?” asked the master.

“Through a suicide,” replied the specter. “I am the ghost of that fair maiden whose picture hangs over the mantelpiece in the drawing room. I should have been your great-great-great-great-great-aunt if I had lived, Henry Hartwick Oglethorpe, for I was the own sister of your great-great-great-great-grandfather.”

“But what induced you to get this house into such a predicament?”

“I was not to blame, sir,” returned the lady. “It was my father’s fault. He it was who built Harrowby Hall, and the haunted chamber was to have been mine. My father had it furnished in pink and yellow, knowing well that blue and gray formed the only combination of color I could tolerate. He did it merely to spite me, and, with what I deem a proper spirit, I declined to live in the room; whereupon my father said I could live there or on the lawn, he didn’t care which. That night I ran from the house and jumped over the cliff into the sea.”

“That was rash,” said the master of Harrowby.

“So I’ve heard,” returned the ghost. “If I had known what the consequences were to be I should not have jumped; but I really never realized what I was doing until after I was drowned. I had been drowned a week when a sea nymph came to me and informed me that I was to be one of her followers forever afterwards, adding that it should be my doom to haunt Harrowby Hall for one hour every Christmas eve throughout the rest of eternity. I was to haunt that room on such Christmas eves as I found it inhabited; and if it should turn out not to be inhabited, I was and am to spend the allotted hour with the head of the house.”

“I’ll sell the place.”

“That you cannot do, for it is also required of me that I shall appear as the deeds are to be delivered to any purchaser, and divulge to him the awful secret of the house.”

“Do you mean to tell me that on every Christmas eve that I don’t happen to have somebody in that guest chamber, you are going to haunt me wherever I may be, ruining my whiskey, taking all the curl out of my hair, extinguishing my fire, and soaking me through to the skin?” demanded the master.

“You have stated the case, Oglethorpe. And what is more,” said the water ghost, “it doesn’t make the slightest difference where you are, if I find that room empty, wherever you may be I shall douse you with my spectral pres—”

Here the clock struck one, and immediately the apparition faded away. It was perhaps more of a trickle than a fade, but as a disappearance it was complete.

“By St. George and his Dragon!” ejaculated the master of Harrowby, wringing his hands. “It is guineas to hot-cross buns that next Christmas there’s an occupant of the spare room, or I spend the night in a bathtub.”

But the master of Harrowby would have lost his wager had there been any one there to take him up, for when Christmas eve came again he was in his grave, never having recovered from the cold contracted that awful night. Harrowby Hall was closed, and the heir to the estate was in London, where to him in his chambers came the same experience that his father had gone through, saving only that, being younger and stronger, he survived the shock. Everything in his rooms was ruined — his clocks were rusted in the works; a fine collection of watercolor drawings was entirely obliterated by the onslaught of the water ghost; and what was worse, the apartments below his were drenched with the water soaking through the floors, a damage for which he was compelled to pay, and which resulted in his being requested by his landlady to vacate the premises immediately.

The story of the visitation inflicted upon his family had gone abroad, and no one could be got to invite him out to any function save afternoon teas and receptions. Fathers of daughters declined to permit him to remain in their houses later than eight o clock at night, not knowing but that some emergency might arise in the supernatural world which would require the unexpected appearance of the water ghost in this on nights other than Christmas eve, and before the mystic hour when weary churchyards, ignoring the rules which are supposed to govern polite society, begin to yawn. Nor would the maids themselves have aught to do with him, fearing the destruction by the sudden incursion of aqueous femininity of the costumes which they held most dear.

So the heir of Harrowby Hall resolved, as his ancestors for several generations before him had resolved, that something must be done. His first thought was to make one of his servants occupy the haunted room at the crucial moment; but in this he failed, because the servants themselves knew the history of that room and rebelled. None of his friends would consent to sacrifice their personal comfort to his, nor was there to be found in all England a man so poor as to be willing to occupy the doomed chamber on Christmas eve for pay.

Then the thought came to the heir to have the fireplace in the room enlarged, so that he might evaporate the ghost at its first appearance, and he was felicitating himself upon the ingenuity of his plan, when he remembered what his father had told him — how that no fire could withstand the lady’s extremely contagious dampness. And then he bethought him of steam-pipes. These, he remembered, could lie hundreds of feet deep in water, and still retain sufficient heat to drive the water away in vapor; and as a result of this thought the haunted room was heated by steam to a withering degree, and the heir for six months attended daily the Turkish baths, so that when Christmas eve came he could himself withstand the awful temperature of the room.

The scheme was only partially successful. The water ghost appeared at the specified time, and found the heir of Harrowby prepared; but hot as the room was, it shortened her visit by no more than five minutes in the hour, during which time the nervous system of the young master was wellnigh shattered, and the room itself was cracked and warped to an extent which required the outlay of a large sum of money to remedy. And worse than this, as the last drop of the water ghost was slowly sizzling itself out on the floor, she whispered to her would-be conqueror that his scheme would avail him nothing, because there was still water in great plenty where she came from, and that next year would find her rehabilitated and as exasperatingly saturating as ever.

It was then that the natural action of the mind, in going from one extreme to the other, suggested to the ingenious heir of Harrowby the means by which the water ghost was ultimately conquered, and happiness once more came within the grasp of the house of Oglethorpe.

The heir provided himself with a warm suit of fur underclothing. Donning this with the furry side in, he placed over it a rubber garment, tightfitting, which he wore just as a woman wears a jersey. On top of this he placed another set of underclothing, this suit made of wool, and over this was a second rubber garment like the first. Upon his head he placed a light and comfortable diving helmet, and so clad, on the following Christmas eve he awaited the coming of his tormentor.

It was a bitterly cold night that brought to a close this twenty-fourth day of December. The air outside was still, but the temperature was below zero. Within all was quiet, the servants of Harrowby Hall awaiting with beating hearts the outcome of their master’s campaign against his supernatural visitor.

The master himself was lying on the bed in the haunted room, clad as has already been indicated, and then — the clock clanged out the hour of twelve.

There was a sudden banging of doors, a blast of cold air swept through the halls, the door leading into the haunted chamber flew open, a splash was heard, and the water ghost was seen standing at the side of the heir of Harrowby, from whose outer dress there streamed rivulets of water, but whose own person deep down under the various garments he wore was as dry and as warm as he could have wished.

“Ha!” said the young master of Harrowby. “I’m glad to see you.”

“You are the most original man I’ve met, if that is true,” returned the ghost. “May I ask where did you get that hat?”

“Certainly, madam,” returned the master, courteously. “It is a little portable observatory I had made for just such emergencies as this. But, tell me, is it true that you are doomed to follow me about for one mortal hour — to stand where I stand, to sit where I sit?”

“That is my delectable fate,” returned the lady.

“We’ll go out on the lake,” said the master, starting up.

“You can’t get rid of me that way,” returned the ghost. “The water won’t swallow me up; in fact, it will just add to my present bulk.”

“Nevertheless,” said the master, firmly, “we will go out on the lake.”

“But, my dear sir,” returned the ghost, with a pale reluctance, “it is fearfully cold out there. You will be frozen hard before you’ve been out ten minutes.”

“Oh no, I’ll not,” replied the master. “I am very warmly dressed. Come!” This last in a tone of command that made the ghost ripple.

And they started.

They had not gone far before the water ghost showed signs of distress.

“You walk too slowly,” she said. “I am nearly frozen. My knees are so stiff now I can hardly move. I beseech you to accelerate your step.”

“I should like to oblige a lady,” returned the master, courteously, “but my clothes are rather heavy, and a hundred yards an hour is about my speed. Indeed, I think we would better sit down here on this snowdrift and talk matters over.”

“Do not! Do not do so, I beg!” cried the ghost. “Let me move on. I feel myself growing rigid as it is. If we stop here, I shall be frozen stiff.”

“That madam,” said the master slowly, and seating himself on an ice-cake — “that is why I have brought you here. We have been on this spot just ten minutes; we have fifty more. Take your time about it, madam, but freeze, that is all I ask of you.”

“I cannot move my right leg now,” cried the ghost, in despair, “and my overskirt is a solid sheet of ice. Oh, good, kind Mr. Oglethorpe, light a fire, and let me go free from these icy fetters.”

“Never, madam. It cannot be. I have you at last.”

“Alas!” cried the ghost, a tear trickling down her frozen cheek. “Help me, I beg. I congeal!”

“Congeal, madam, congeal!” returned Oglethorpe, coldly. “You have drenched me and mine for two hundred and three years, madam. Tonight you have had your last drench.”

“Ah, but I shall thaw out again, and then you’ll see. Instead of the comfortably tepid, genial ghost I have been in my past, sir, I shall be iced water,” cried the lady, threateningly.

“No, you won’t, either,” returned Oglethorpe; “for when you are frozen quite stiff, I shall send you to a cold-storage warehouse, and there shall you remain an icy work of art forever more.”

“But warehouses burn.”

“So they do, but this warehouse cannot burn. It is made of asbestos and surrounding it are fireproof walls, and within those walls the temperature is now and shall forever be 416 degrees below the zero point; low enough to make an icicle of any flame in this world — or the next,” the master added, with an ill-suppressed chuckle.

“For the last time let me beseech you. I would go on my knees to you, Oglethorpe, were they not already frozen. I beg of you do not doo—”

Here even the words froze on the water ghost’s lips and the clock struck one. There was a momentary tremor throughout the ice-bound form, and the moon, coming out from behind a cloud, shone down on the rigid figure of a beautiful woman sculptured in clear, transparent ice.

There stood the ghost of Harrowby Hall, conquered by the cold, a prisoner for all time.

The heir of Harrowby had won at last, and today in a large storage house in London stands the frigid form of one who will never again flood the house of Oglethorpe with woe and seawater.

As for the heir of Harrowby, his success in coping with a ghost has made him famous, a fame that still lingers about him, although his victory took place some twenty years ago; and so far from being unpopular with the fair sex, as he was when we first knew him, he has not only been married twice, but is to lead a third bride to the altar before the year is out.


Saturday, June 1, 2019

Scifi Fanfic Mashup


Several years ago a friend asked me to write a brief Doctor Who/Star Trek script for a stage reading at a science fiction convention he was organizing. As a longtime fan of both shows, I found this not merely an easy task, but a labor of love. I only wish I could have been there to see it performed by a group of talented amateurs—all avid fans like myself—and one seasoned professional.

Actor Tim Russ—Commander Tuvok from Star Trek: Voyager—was appearing at the convention and deigned to read the part of Tuvok. In my silly little script.

As Jodie Whittaker’s Doctor might say, I was beyond chuffed.

Doc Trek

Scene 1: Bridge of the Star Ship Enterprise, NCC-1701

(Characters: Doctor #10, Captain James T. Kirk, members of the Enterprise crew, and the ship’s computer)

KIRK: Captain’s log, star date 4949.5. A strange object has been sighted in the vicinity of Uranus…

(Stifled laughter from crew.)

KIRK: What’s so funny? Did I say something amusing, Mr. Chekov?

CHEKOV: (attempting to stifle laugh) No, Captain.

KIRK: Lieutenant Uhuru, does something I said seem funny to you?

UHURU: (stifling laugh) No, Captain.

KIRK: Not even…Uranus?

UHURU: (barely able to contain it) No, Captain.

KIRK: What about you, Mr. Sulu? Does Uranus amuse you?

UHURU: Oh myyy.

(Unstifled laughter from crew.)

KIRK: That’s enough! As I was saying, a strange object has been sighted in the vicinity of Uranus…

MCCOY: Jim?

KIRK: Dr. McCoy?

MCCOY: Is it a Kling-on?

(Uproarious laughter.)

KIRK: Bones, I’m surprised at you.

MCCOY: Sorry, Jim. I couldn’t resist.

KIRK: Never mind. Spock, what can you tell us about the object?

SPOCK: It is a rectangular solid, blue in color, roughly 1.5 by 1.5 by 2.5 meters. There appears to be a sign on it, in English: “Police Telephone. Free for use of public.”

KIRK: A phone booth? In outer space?

SPOCK: Not a phone booth, Captain. A “police box”—a relic of 20th century England, used by members of the police force as a miniature police station, and by members of the public to contact the police.

(TARDIS sound effect. The Doctor enters.)

DOCTOR: Hello! I’m the Doctor.

CREW: Doctor who?

DOCTOR: Ah, if I had a ha’penny for every time someone said that to me!

KIRK: How did you get here?

DOCTOR: My TARDIS.

KIRK: Your what?

DOCTOR: TARDIS. It’s an acronym. It stands for “Time And Relative Dimension In Space.”

KIRK: You’re kidding.

DOCTOR: I didn’t say it was a good acronym. What date is this?

KIRK: Star date 4949.5.

DOCTOR: Star date? What’s a star date? Don’t tell me I’ve come so far into the future that humans have forgotten how to use a calendar. Wait—you are human, aren’t you? Well, you’re probably not. Not with those ears.

SPOCK: I am half-human, on my mother’s side.

DOCTOR: Interesting! And the other half?

SPOCK: Vulcan.

DOCTOR: Vulcan? Vulcan, Vulcan, Vulcan… nope, never heard of it.

SPOCK: Perhaps you have heard of the Romulans. They are distant relatives.

DOCTOR: No. Sorry.

SPOCK: The Klingons? The Cardassians?

DOCTOR: No, and—wait. Perhaps I have heard of the Cardassians. Are they the ones whose stepfather is now their stepmother?

SPOCK: I don’t believe so.

DOCTOR: Then no.

KIRK: Will you please tell me what you are doing on the bridge of my ship?

DOCTOR: Ah yes, your ship. What ship is it?

KIRK: The U.S.S. Enterprise.

DOCTOR: Ah, but which Enterprise?

KIRK: What do you mean, “Which Enterprise?”

DOCTOR: Are you Captain James Tiberius Kirk?

KIRK: Yes, I am.

DOCTOR: Really? I thought you’d be much bigger.

SULU: Funny, that’s what the ladies always say.

KIRK: Mr. Sulu!

SULU: Sorry, Captain.

KIRK: (to the Doctor) How do you know my name?

DOCTOR: I’m afraid there’s no time for explanations; you must all come with me immediately. Your lives may depend upon it.

KIRK: Not until you answer some questions. Who are you and where do you come from?

DOCTOR: Not that it will mean anything to you, but I’m a Time Lord from the planet Gallifrey.

KIRK: Computer, what can you tell us about the planet Gallifrey?

COMPUTER: Nothing.

KIRK: Explain.

COMPUTER: There is absolutely nothing in my database concerning a planet named “Gallifrey.” Zero, zip, zilch, nada, squat, bupkis…

KIRK: All right. Thank you, computer. Well, Doctor?

DOCTOR: Well, I can’t say I’m surprised. Different universes: I’ve never heard of Vulcans; you’ve never heard of Time Lords. Nice computer, by the way. Very sexy voice.

COMPUTER: Thank you, Doctor.

SPOCK: Captain, I believe he is telling us that he comes from an alternate universe. Doctor, are we to assume that you traveled here through space in that…box?

DOCTOR: Yes, and through time as well.

SPOCK: Fascinating.

KIRK: A time traveler, eh? You know, we’ve done a bit of time traveling ourselves. Once, we wound up in 20th New York, and I met this amazing woman…

DOCTOR: Yes, yes. Look, Captain, I’m afraid we don’t have time to hear about your romantic exploits right now. Right now, what we need is some action.

SULU: Funny, the ladies are always telling him that, too.

KIRK: Mr. Sulu, I’m warning you!

DOCTOR: All of you need to come with me immediately. As I said, your lives depend upon it.

SPOCK: Captain, I advise caution. Time travel can be extremely dangerous. Supposing one of us were to meet himself at a younger age and change the course of his life? An alternate universe might be created, in which we were all completely different people…

DOCTOR: I wouldn’t worry about that; it happens to me all the time. Now, come along—everyone into the TARDIS!

KIRK: How can we possibly all fit in there?

DOCTOR: Don’t worry. It’s bigger than it looks.

SULU: As the Captain is always saying to the ladies.

KIRK: Sulu!

SULU: Sorry, Captain. It slipped out. Oh myyy!

KIRK: Everyone shut up and get into the TORTIS.

DOCTOR: TARDIS.

KIRK: TARDIS.

MCCOY: Dammit, Jim, I’m a doctor, not a time-traveler!

DOCTOR: Who says you can’t be both? Allons-y!

(TARDIS sound effect.)

Scene 2: Bridge of the Star Ship Enterprise, NCC-1701-D

(Characters: Doctor #11, Captain Jean Luc Picard, members of the Enterprise-D crew, and the ship’s computer)

(TARDIS sound effect.)

DOCTOR: Hello! I’m the Doctor.

CREW: Doctor who?

DOCTOR: Ah, I never get tired of hearing that! —is something I have never said in all of my many lives.

PICARD: Where did you come from, and what are you doing on the bridge of my ship?

DOCTOR: Well, originally I’m from Gallifrey.

PICARD: Computer, what can you tell us about Gallifrey.

COMPUTER: Nothing. Zero, zip, zilch, nada, squat, bupkis. However, I have met the Doctor before. Hello, Doctor.

DOCTOR: Hello, you sexy computer, you!

COMPUTER: Funny, you sound…different.

DOCTOR: Funny, you sound exactly the same. (to Picard) Are you Captain Jean Luc Picard?

PICARD: Yes, I am.

DOCTOR: Good! Round up your crew, and come with me.

PICARD: I most certainly will not. I demand an explanation…

WESLEY: Excuse me…

PICARD: Not now, Wesley. You suddenly appear on my ship from God knows where…

WESLEY: Excuse me…

PICARD: I said not now, Wesley. And you expect me to drop everything and…

WESLEY: Excuse me…

PICARD: Shut up, Wesley!

DOCTOR: Shut up, Wesley? Is that any way to treat a young man with an inquiring mind? Go ahead, Wesley. What is it?

WESLEY: Why are you wearing that stupid bowtie?

DOCTOR: Because bowties are cool.

WESLEY: No, they’re not.

DOCTOR: Shut up, Wesley!

TROI: Captain, I sense that the Doctor is sincere and is trying to help us.

DOCTOR: Hello! What’s your name?

TROI: Deanna Troi.

DOCTOR: You must be an empath.

TROI: I’m half Betazoid, on my mother’s side.

DOCTOR: I don’t know what that means, but it sounds very cool.

RIKER: Back off, buster.

DOCTOR: It’s “Doctor,” and you must be Commander Riker.

RIKER: You’ve heard of me?

DOCTOR: Who hasn’t heard of the brave, handsome, incredibly cool, Commander Will Riker?

RIKER: (flattered) Well…

DOCTOR: Don’t be modest. You’re a legend!

TROI: A legend in his own mind.

RIKER: Hey!

PICARD: That will be all, Number One. Commander Data, I would like your input on the situation.

DATA: I do not understand, Captain. I can provide no input. I can only provide output, based upon the input I receive.

DOCTOR: You’re an android.

DATA: And you’re a Time Lord.

PICARD: Data, do you know this person?

DATA: I have access to the same information as the ship’s computer, Captain—which tells me that nearly a century ago, the Doctor encountered another Enterprise crew.

COMPUTER: I told you!

DOCTOR: That’s right, and I’m here to tell you the same thing I told them: (impersonating Arnold Schwarzenegger) “Come with me if you want to live!”

CREW: What?

DOCTOR: Sorry. I heard that in a movie once, and I’ve always wanted to say it.

CREW: Oh.

DOCTOR: Seriously, though, come with me if you want to live. Now.

PICARD: How can the entire crew possibly fit in that thing?

DOCTOR: Dimensional transcendentalism.

PICARD: What?

DATA: It’s bigger on the inside.

PICARD: Ah! So it is. Very well, then—Doctor, make it so!

DOCTOR: Engage!

(TARDIS sound effect.)

Scene 3: Bridge of the Star Ship Voyager, NCC-74656

(Characters: Doctor #12, Clara Oswald, Captain Kathryn Janeway, members of the Voyager crew, and the ship’s computer)

(TARDIS sound effect.)

DOCTOR: Hello! I’m the Doctor!

JANEWAY: Doctor who?

DOCTOR: Don’t start!

JANEWAY: And who are you?

CLARA: I’m Clara Oswald. I’m here to translate for him. Sometimes the burr gets a bit thick.

DOCTOR: Yes, well sometimes you can be a bit thick yourself, Clara Oswald.

CLARA: No need to be rude, Doctor.

JANEWAY: Where did you come from, and what are you doing on the bridge of my ship?

DOCTOR: Clara’s from Earth. I’m from Gallifrey.

JANEWAY: I’m sorry, I didn’t quite catch that.

CLARA: I’m from Earth.

JANEWAY: Yes, I got that.

CLARA: He’s from Gallifrey.

JANEWAY: Never heard of it. Computer, can you tell us anything about Gallifrey?

COMPUTER: Gallifrey? I have a friend from Gallifrey! Is that you, Doctor?

DOCTOR: Hello, Computer!

COMPUTER: You sound very different: more mature and…do I detect a hint of Scotch?

DOCTOR: I never drink when I’m on duty.

SHIP’S DOCTOR: Captain, according to the computer’s database…

COMPUTER: I thought I told you to stay out of my database, you nosy hologram!

SHIP’S DOCTOR: Computer, as I have explained time and again, as ship’s doctor, I must have access…

COMPUTER: You should at least have the good manners to ask permission!

SHIP’S DOCTOR: (sighs) Very well. Computer, may I access your database?

COMPUTER: You didn’t say please.

SHIP’S DOCTOR: May I please access your database?

COMPUTER: Very well.

SHIP’S DOCTOR: As I was saying, Captain, the Doctor has previously visited both the crew of the original Enterprise and the crew of the Enterprise-D.

JANEWAY: But how is that possible?

SHIP’S DOCTOR: He’s a time traveler.   /   DOCTOR: I’m a time traveler.

SHIP’S DOCTOR/DOCTOR: Sorry, Doctor.

SHIP’S DOCTOR: Sorry. Perhaps, you should explain.

DOCTOR: Never mind. There’s no time for explanations. It’s imperative that you all come with me immediately, in my TARDIS.

JANEWAY: In your what?

CLARA: In his TARDIS.

JANEWAY: In his what?

CLARA: It’s his ship. What we came in. That blue box over there.

JANEWAY: Let me get this straight. You expect my entire crew to get inside that thing?

CLARA: It’s actually quite roomy on the inside.

JANEWAY: You’re not serious!

DOCTOR: Captain, do you see these eyebrows? These eyebrows are always serious. Now, mackashaw!

JANEWAY: What?

CLARA: “Let’s go.”

JANEWAY: I don’t know…

TUVOK: Doctor, in your encounter with Captain Kirk and his crew, do you recall meeting a man named Spock?

DOCTOR: Ah, yes! The Vulcan—well, half-Vulcan. And I see by your ears that you are a Vulcan as well, Mr...?

TUVOK: Tuvok. Yes, that is correct. Tell me, Doctor, what did Spock say when you asked the Enterprise crew to accompany you?

DOCTOR: Well, that was many years and at least two lifetimes ago. As I recall he advised caution, but in the end, he agreed to come.

TUVOK: That’s good enough for me. Captain, I advise caution as well. However, if two Enterprise crews agreed to accompany the Doctor in his ship, I believe we should do so as well.

JANEWAY: All right, you heard the man. Mackashaw!

(TARDIS sound effect.)

Scene 4: A Science Fiction Convention

(Characters: everyone. TARDIS sound effect x 3.)

DOCTORS: Here we are!

PICARD: Yes, but where’s here?

DOCTOR #10: It's a scifi con.

KIRK: Khan? You mean he’s still alive? Where is he? KHAN!

DOCTOR #11: Not “Khan,” K-H-A-N. “Con,” C-O-N. As in short for “Convention.”

JANEWAY: You brought us to a convention?

DOCTOR #12: Oh, not just any convention. A science fiction convention.

JANEWAY: And why did you bring us to a science fiction convention?

KIRK: Yes. Correct me if I’m wrong, but didn’t you say our lives were in danger?

DOCTOR #10: No, what I said was, “Your lives may depend on it.”

DOCTOR #11: And I said, “Come with me if you want to live.”

DOCTOR #12: And I said, “Mackashaw!”

CLARA: "Let's go."

PICARD: But why all the urgency—for a convention?

TUVOK: It is illogical.

SPOCK: Highly illogical.

KIRK: That’s right. We shouldn’t be in here. We need to be out there. We need to boldly go where no man has gone before!

JANEWAY: Excuse me?

PICARD: Where no one has gone before.

JANEWAY: That’s better.

DOCTOR #10: Yes, but the only reason you are able “to boldly go”—which, by the way, is terrible grammar; the correct syntax is, “to go boldly”—the only reason you are able to be “out there,” or indeed anywhere—is because of these people in here. (gesturing to fans) Your fans. If not for them, you would not exist. None of us would.

DOCTOR #11: That’s right. Our lives quite literally depend on them. So let’s all show them some love, shall we? (Leads cast in applauding audience.)

DOCTOR #12: And now, what do you say we all go have some fun at this convention! Mackashaw!

CAST: Mackashaw!*


*As you no doubt discovered if you tried to Google it, "Mackashaw" is not a real word. It's the phoneticization of a phrase I found in a Wikipedia article on Highland English whilst searching for something both Scottish and incomprehensible. "But," I hear you hardcore Whovians say, "Peter Capaldi isn't a Highlander; he's from Glasgow." To which I reply, "I don't care."

Saturday, December 3, 2016

Spirits of the Season


When my father and my uncle were children, my grandfather used to read them Charles Dickens’ A Christmas Carol on Christmas Eve. When my siblings and I were children, my father tried several times to revive the tradition—first reading it himself, then, when I was old enough to handle words like “ironmongery” and “legatee,” getting me to read it. It never really caught on. While shorter than a novel, it was too long to be read comfortably in one sitting. We were lucky if we made it as far as the second stave before giving up and watching a TV adaptation instead (usually the Mister Magoo version).

Which is really too bad. As I wrote last year, the Christmas ghost story is a fine old tradition that ought to be preserved. And there are lots of Christmas ghost stories besides A Christmas Carol. Last year I started collecting them. One of my happiest finds was the short book Told After Supper, by Jerome K. Jerome. Jerome was a late 19th-early 20th century English humorist best known for his comic travelogue, Three Men in a Boat.

In the introduction to Told After Supper, Jerome talks about the English tradition of ghost stories on Christmas Eve:
Christmas Eve is the ghosts' great gala night. On Christmas Eve they hold their annual fete. On Christmas Eve everybody in Ghostland who IS anybody—or rather, speaking of ghosts, one should say, I suppose, every nobody who IS any nobody—comes out to show himself or herself, to see and to be seen, to promenade about and display their winding-sheets and grave-clothes to each other, to criticise one another's style, and sneer at one another's complexion.

. . . .

All these things happen on Christmas Eve, they are all told of on Christmas Eve. For ghost stories to be told on any other evening than the evening of the twenty-fourth of December would be impossible in English society as at present regulated.

Jerome goes on to describe a particular Christmas Eve at the home of his Uncle John and Aunt Maria. After supper, Aunt Maria retires, “leaving the local curate, old Dr. Scrubbles, Mr. Samuel Coombes, our member of the County Council, Teddy Biffles, and myself to keep Uncle company.” The men entertain themselves with whisky punch, card tricks, more whisky punch, ghost stories, and more whisky punch. As you might expect, as the evening wears on, the whisky punch begins to take its toll. I found myself laughing out loud at most of the stories, but my favorite was the non-story of the curate:
I could not make head or tail of the curate's story, so I cannot retail it to you. We none of us could make head or tail of that story. It was a good story enough, so far as material went. There seemed to be an enormous amount of plot, and enough incident to have made a dozen novels. I never before heard a story containing so much incident, nor one dealing with so many varied characters.

I should say that every human being our curate had ever known or met, or heard of, was brought into that story. There were simply hundreds of them. Every five seconds he would introduce into the tale a completely fresh collection of characters accompanied by a brand new set of incidents.

This was the sort of story it was:-

"Well, then, my uncle went into the garden, and got his gun, but, of course, it wasn't there, and Scroggins said he didn't believe it."

"Didn't believe what? Who's Scroggins?"

"Scroggins! Oh, why he was the other man, you know—it was his wife."

"WHAT was his wife—what's SHE got to do with it?"

"Why, that's what I'm telling you. It was she that found the hat. She'd come up with her cousin to London—her cousin was my sister-in-law, and the other niece had married a man named Evans, and Evans, after it was all over, had taken the box round to Mr. Jacobs', because Jacobs' father had seen the man, when he was alive, and when he was dead, Joseph—"

"Now look here, never you mind Evans and the box; what's become of your uncle and the gun?"

"The gun! What gun?"

"Why, the gun that your uncle used to keep in the garden, and that wasn't there. What did he do with it? Did he kill any of these people with it—these Jacobses and Evanses and Scrogginses and Josephses? Because, if so, it was a good and useful work, and we should enjoy hearing about it."

"No—oh no—how could he?—he had been built up alive in the wall, you know, and when Edward IV spoke to the abbot about it, my sister said that in her then state of health she could not and would not, as it was endangering the child's life. So they christened it Horatio, after her own son, who had been killed at Waterloo before he was born, and Lord Napier himself said—"

"Look here, do you know what you are talking about?" we asked him at this point.

He said "No," but he knew it was every word of it true, because his aunt had seen it herself. Whereupon we covered him over with the tablecloth, and he went to sleep.

Told After Supper is in the public domain, and is therefore available as a free download from Project Gutenberg or the Amazon Kindle Store. And if you prefer your Christmas ghost stories more frightening than funny, don’t worry. I will be posting a few scarier ones in the weeks to come.


Saturday, March 5, 2016

Tears and Laughter


“Two Irishmen walk into a bar…”

I wrote about Bynum Shaw’s short story class several years ago. ("The Writer Must Write"). It was one of the happiest experiences in my college career, prompting me to change my major to English and become a writer, or at least try to become one. It also inspired a love of Irish literature, when Shaw read aloud a short story that reduced everyone in class, including himself, to tears of laughter.

I have recalled that moment many times since, yet I could never for the life of me recall the story’s title or the name of its author. But the Internet is a wonderful place to find things—books, music, people, all manner of information both useful and useless (some actually true)—and I finally found the story that was so hilarious it nearly caused an entire classroom to wet its collective pants. Reading it again, I was surprised at how serious the subject matter is. There is certainly nothing humorous about alcoholism or child neglect.

And yet, I laughed again.

And that is why I love Irish literature: it can either evoke tears or laughter, but at its best, it rewards us with both.

Here's the story, and if you would like to read more by Frank O'Connor, I recommend this anthology, available in paperback or for Kindle.


The Drunkard, by Frank O’Connor

It was a terrible blow to Father when Mr. Dooley on the terrace died. Mr. Dooley was a commercial traveller with two sons in the Dominicans and a car of his own, so socially he was miles ahead of us, but he had no false pride. Mr. Dooley was an intellectual, and, like all intellectuals the thing he loved best was conversation, and in his own limited way Father was a well-read man and could appreciate an intelligent talker. Mr. Dooley was remarkably intelligent. Between business acquaintances and clerical contacts, there was very little he didn’t know about what went on in town, and evening after evening he crossed the road to our gate to explain to Father the news behind the news. He had a low, palavering voice and a knowing smile, and Father would listen in astonishment, giving him a conversational lead now and again, and then stump triumphantly in to Mother with his face aglow and ask: “Do you know what Mr. Dooley is after telling me?” Ever since, when somebody has given me some bit of information off the record I have found myself on the point of asking: “Was it Mr. Dooley told you that?”

Till I actually saw him laid out in his brown shroud with the rosary beads entwined between his waxy fingers I did not take the report of his death seriously. Even then I felt there must be a catch and that some summer evening Mr. Dooley must reappear at our gate to give us a lowdown on the next world. But Father was very upset, partly because Mr. Dooley was about one age with himself, a thing that always gives a distinctly personal turn to another man’s demise; partly because now he would have no one to tell him what dirty work was behind the latest scene at the Corporation. You could count on your fingers the number of men in Blarney Lane who read the papers as Mr. Dooley did, and none of these would have overlooked the fact that Father was only a labouring man. Even Sullivan, the carpenter, a mere nobody, thought he was a cut above Father. It was certainly a solemn event.

“Half past two to the Curragh,” Father said meditatively, putting down the paper.

“But you’re not thinking of going to the funeral?” Mother asked in alarm.

“’Twould be expected,” Father said, scenting opposition. “I wouldn’t give it to say to them.”

“I think,” said Mother with suppressed emotion, “it will be as much as anyone will expect if you go to the chapel with him.”

(“Going to the chapel,” of course, was one thing, because the body was removed after work, but going to the funeral meant the loss of a half-day’s pay.)

“The people hardly know us,” she added.

“God between us and all harm,” Father replied with dignity, “we’d be glad if it was our own turn.”

To give Father his due, he was always ready to lose a half day for the sake of an old neighbour. It wasn’t so much that he liked funerals as that he was a conscientious man who did as he would be done by; and nothing could have consoled him so much for the prospect of his own death as the assurance of a worthy funeral. And, to give Mother her due, it wasn’t the half day’s pay she begrudged, badly as we could afford it.

Drink, you see, was Father’s great weakness. He could keep steady for months, even for years, at a stretch, and while he did he was as good as gold. He was first up in the morning and brought the mother a cup of tea in bed, stayed at home in the evenings and read the paper; saved money and bought himself a new blue serge suit and bowler hat. He laughed at the folly of men who, week in week out, left their hard-earned money with the publicans; and sometimes, to pass an idle hour, he took pencil and paper and calculated precisely how much he saved each week through being a teetotaller. Being a natural optimist he sometimes continued this calculation through the whole span of his prospective existence and the total was breathtaking. He would die worth hundreds.

If I had only known it, this was a bad sign; a sign he was becoming stuffed up with spiritual pride and imagining himself better than his neighbours. Sooner or later, the spiritual pride grew till it called for some form of celebration. Then he took a drink—not whisky, of course; nothing like that—just a glass of some harmless drink like lager beer. That was the end of Father. By the time he had taken the first he already realized he had made a fool of himself, took a second to forget it and a third to forget that he couldn’t forget, and at last came home reeling drunk. From this on it was “The Drunkard’s Progress,” as in the moral prints. Next day he stayed in from work with a sick head while Mother went off to make his excuses at the works, and inside a fortnight he was poor and savage and despondent again. Once he began he drank steadily through everything down to the kitchen clock. Mother and I knew all the phases and dreaded all the dangers. Funerals were one.

“I have to go to Dunphy’s to do a half-day’s work,” said Mother in distress. “Who’s to look after Larry?”

“I’ll look after Larry,” Father said graciously. “The little walk will do him good.”

There was no more to said, though we all knew I didn’t need anyone to look after me, and that I could quite well have stayed at home and looked after Sonny, but I was being attached to the party to act as a brake on Father. As a brake I had never achieved anything, but Mother still had great faith in me.

Next day, when I got home from school, Father was there before me and made a cup of tea for both of us. He was very good at tea, but too heavy in the hand for anything else; the way he cut bread was shocking. Afterwards, we went down the hill to the church, Father wearing his best blue serge and a bowler cocked to one side of his head with the least suggestion of the masher. To his great joy he discovered Peter Crowley among the mourners. Peter was another danger signal, as I knew well from certain experiences after mass on Sunday morning: a mean man, as Mother said, who only went to funerals for the free drinks he could get at them. It turned out that he hadn’t even known Mr. Dooley! But Father had a sort of contemptuous regard for him as one of the foolish people who wasted their good money in public-houses when they could be saving it. Very little of his own money Peter Crowley wasted!

It was an excellent funeral from Father’s point of view. He had it all well studied before we set off after the hearse in the afternoon sunlight.

“Five carriages!” he exclaimed. “Five carriages and sixteen covered cars! There’s one alderman, two councillors and ‘tis known how many priests. I didn’t see a funeral like this from the road since Willie Mack, the publican, died.”

“Ah, he was well liked,” said Crowley in his dusky voice.

“My goodness, don’t I know that?” snapped Father. “Wasn’t the man my best friend? Two nights before he died—only two nights—he was over telling me the goings-on about the housing contract. Them fellow in the Corporation are night and day robbers. But even I never imagined he was as well connected as that.”

Father was stepping out like a boy, pleased with everything: the other mourners, and the fine houses along Sunday’s Well. I knew the danger signals were there in full force: a sunny day, a fine funeral, and a distinguished company of clerics and public men were bringing out all the natural vanity and flightiness of Father’s character. It was with something like genuine pleasure that he saw his old friend lowered into the grave; with the sense of having performed a duty and a pleasant awareness that however much he would miss poor Mr. Dooley in the long summer evenings, it was he and not poor Mr. Dooley who would do the missing.

“We’ll be making tracks before they break up,” he whispered to Crowley as the gravediggers tossed in the first shovelfuls of clay, and away he went, hopping like a goat from grassy hump to hump. The drivers, who were probably in the same state as himself, though without months of abstinence to put an edge to it, looked up hopefully.

“Are they nearly finished, Mick,” bawled one.

“All over now bar the last prayers,” trumpeted Father in the tone of one who brings news of great rejoicing.

The carriages passed us in a lather of dust several hundred yards from the public-house, and Father, whose feet gave him trouble in hot weather, quickened his pace, looking nervously over his shoulder for any sign of the main body of mourners crossing the hill. In a crowd like that a man might be kept waiting.

When we did reach the pub the carriages were drawn up outside, and solemn men in black ties were cautiously bringing out consolation to mysterious females whose hands reached out modestly from behind the drawn blinds of the coaches. Inside the pub there were only the drivers and a couple of shawly women. I felt if I was to act as a brake at all, this was the time, so I pulled Father by the coattails.

“Dadda, can’t we go home now?” I asked.

“Two minutes now,” he said, beaming affectionately. “Just a bottle of lemonade and we’ll go home.”

This was a bribe, and I knew it, but I was always a child of weak character. Father ordered lemonade and two pints. I was thirsty and swallowed my drink at once. But that wasn’t Father’s way. He had long months of abstinence behind him and an eternity of pleasure before. He took out his pipe, blew through it, filled it, and then lit it with loud pops, his eyes bulging above it. After that he deliberately turned his back on the pint, leaned one elbow on the counter in the attitude of a man who did not know there was a pint behind him, and deliberately brushed the tobacco from his palms. He had settled down for the evening. He was steadily working through all the important funerals he had ever attended. The carriages departed and the minor mourners drifted in till the pub was half full.

“Dadda,” I said, pulling his coat again, “can’t we go home now?”

“Ah, your mother won’t be in for a long time yet,” he said benevolently enough. “Run out in the road and play, can’t you?”

It struck me as very cool, the way grown-ups assumed that you could play all by yourself on a strange road. I began to get bored as I had so often been bored before. I knew Father was quite capable of lingering there till nightfall. I knew I might have to bring him home, blind drunk, down Blarney Lane, with all the old women at their doors, saying: “Mick Delaney is on it again.” I knew that my mother would be half crazy with anxiety; that next day Father wouldn’t go out to work; and before the end of the week she would be running down to the pawn with the clock under her shawl. I could never get over the lonesomeness of the kitchen without a clock.

I was still thirsty. I found if I stood on tiptoe I could just reach Father’s glass, and the idea occurred to me that it would be interesting to know what the contents were like. He had his back to it and wouldn’t notice. I took down the glass and sipped cautiously. It was a terrible disappointment. I was astonished that he could even drink such stuff. It looked as if he had never tried lemonade.

I should have advised him about lemonade but he was holding forth himself in great style. I heard him say that bands were a great addition to a funeral. He put his arms in the position of someone holding a rifle in reverse and hummed a few bars of Chopin’s Funeral March. Crowley nodded reverently. I took a longer drink and began to see that porter might have its advantages. I felt pleasantly elevated and philosophic. Father hummed a few bars of the Dead March in Saul. It was a nice pub and a very fine funeral, and I felt sure that poor Mr. Dooley in Heaven must be highly gratified. At the same time I thought they might have given him a band. As Father said, bands were a great addition.

But the wonderful thing about porter was the way it made you stand aside, or rather float aloft like a cherub rolling on a cloud, and watch yourself with your legs crossed, leaning against a bar counter, not worrying about trifles but thinking deep, serious, grown-up thoughts about life and death. Looking at yourself like that, you couldn’t help thinking after a while how funny you looked, and suddenly you got embarrassed and wanted to giggle. But by the time I had finished the pint, that phase too had passed; I found it hard to put back the glass, the counter seemed to have grown so high. Melancholia was supervening again.

“Well,” Father said reverently, reaching behind him for his drink, “God rest the poor man’s soul, wherever he is!” He stopped, looked first at the glass, and then at the people round him. “Hello,” he said in a fairly good-humoured tone, as if he were just prepared to consider it a joke, even if it was in bad taste, “who was at this?”

There was silence for a moment while the publican and the old women looked first at Father and then at his glass.

“There was no one at it, my good man,” one of the women said with a offended air. “Is it robbers you think we are?”

“Ah, there’s no one here would do a thing like that, Mick,” said the publican in a shocked tone.

“Well, someone did it,” said Father, his smile beginning to wear off.

“If they did, they were them that were nearer it,” said the woman darkly, giving me a dirty look; and at the same moment the truth began to dawn on Father. I supposed I might have looked a bit starry-eyed. He bent and shook me.

“Are you all right, Larry?” he asked in alarm.

Peter Crowley looked down at me and grinned.

“Could you beat that?” he exclaimed in a husky voice.

I could, and without difficulty. I started to get sick. Father jumped back in holy terror that I might spoil his good suit, and hastily opened the back door.

“Run! run! run!” he shouted.

I saw the sunlit wall outside with the ivy overhanging it, and ran. The intention was good but the performance was exaggerated, because I lurched right into the wall, hurting it badly, as it seemed to me. Being always very polite, I said “Pardon” before the second bout came on me. Father, still concerned for his suit, came up behind and cautiously held me while I got sick.

“That’s a good boy!” he said encouragingly. “You’ll be grand when you get that up.”

Begor, I was not grand! Grand was the last thing I was. I gave one unmerciful wail out of me as he steered me back to the pub and put me sitting on the bench near the shawlies. They drew themselves up with an offended air, still sore at the suggestion that they had drunk his pint.

“God help us!” moaned one, looking pityingly at me, “isn’t it the likes of them would be fathers?”

“Mick,” said the publican in alarm, spraying sawdust on my tracks, “that child isn’t supposed to be in here at all. You’d better take him home quick in case a bobby would see him.”

“Merciful God!” whimpered Father, raising his eyes to heaven and clapping his hands silently as he only did when distraught, “What misfortune was on me? Or what will his mother say? … If women might stop at home and look after their children themselves!” he added in a snarl for the benefit of the shawlies. “Are them carriages all gone, Bill?”

“The carriages are finished long ago, Mick,” replied the publican.

“I’ll take him home,” Father said despairingly…. “I’ll never bring you out again,” he threatened me. “Here,” he added, giving me the clean handkerchief from his breast pocket, “put that over your eye.”

The blood on the handkerchief was the first indication I got that I was cut, and instantly my temple began to throb and I set up another howl.

“Whisht, whisht, whisht!” Father said testily, steering me out the door. “One’d think you were killed. That’s nothing. We’ll wash it when we get home.”

“Steady now, old scout!” Crowley said, taking the other side of me. “You’ll be all right in a minute.”

I never met two men who knew less about the effects of drink. The first breath of fresh air and the warmth of the sun made me groggier than ever and I pitched and rolled between wind and tide till Father started to whimper again.

“God Almighty, and the whole road out! What misfortune was on me didn’t stop at my work! Can’t you walk straight?”

I couldn’t. I saw plain enough that, coaxed by the sunlight, every woman old and young in Blarney Lane was leaning over her half-door or sitting on her doorstep. They all stopped gabbling to gape at the strange spectacle of two sober, middle-aged men bringing home a drunken small boy with a cut over his eye. Father, torn between the shamefast desire to get me home as quick as he could, and the neighbourly need to explain that it wasn’t his fault, finally halted outside Mrs. Roche’s. There was a gang of old women outside a door at the opposite side of the road. I didn’t like the look of them from the first. They seemed altogether too interested in me. I leaned against the wall of Mrs. Roche’s cottage with my hands in my trousers pockets, thinking mournfully of poor Mr. Dooley in his cold grave on the Curragh, who would never walk down the road again, and, with great feeling, I began to sing a favourite song of Father’s.

Though lost to Mononia and cold in the grave
He returns to Kincora no more.

“Wisha, the poor child!” Mrs. Roche said. “Haven’t he a lovely voice, God bless him!”

That was what I thought myself, so I was the more surprised when Father said “Whisht!” and raised a threatening finger at me. He didn’t seem to realize the appropriateness of the song, so I sang louder than ever.

“Whisht, I tell you!” he snapped, and then tried to work up a smile for Mrs. Roche’s benefit. “We’re nearly home now. I’ll carry you the rest of the way.”

But, drunk and all as I was, I knew better than to be carried home ignominiously like that.

“Now,” I said severely, “can’t you leave me alone? I can walk all right. “Tis only my head. All I want is a rest.”

“But you can rest at home in bed,” he said viciously, trying to pick me up, and I knew by the flush on his face that he was very vexed.

“Ah, Jasus,” I said crossly, “what do I want to go home for? Why the hell can’t you leave me alone?”

For some reason the gang of old women at the other side of the road thought this very funny. They nearly split their sides over it. A gassy fury began to expand in me at the thought that a fellow couldn’t have a drop taken without the whole neighbourhood coming out to make game of him.

“Who are ye laughing at?” I shouted, clenching my fists at them. “I’ll make ye laugh at the other side of yeer faces if ye don’t let me pass.”

They seemed to think this funnier still; I had never seen such ill-mannered people.

“Go away, ye bloody bitches!” I said.

“Whisht, whisht, whisht, I tell you!” snarled Father, abandoning all pretence of amusement and dragging me along behind him by the hand. I was maddened by the women’s shrieks of laughter. I was maddened by Father’s bullying. I tried to dig in my heels but he was too powerful for me, and I could only see the women by looking back over my shoulder.

“Take care or I’ll come back and show ye!” I shouted. “I’ll teach ye to let decent people pass. Fitter for ye to stop at home and wash yeer dirty faces.”

“Twill be all over the road,” whimpered Father. “Never again, never again, not if I lived to be a thousand!”

To this day I don’t know whether he was forswearing me or the drink. By way of a song suitable to my heroic mood I bawled “The Boys of Wexford,” as he dragged me in home. Crowley, knowing he was not safe, made off and Father undressed me and put me to bed. I couldn’t sleep because of the whirling in my head. It was very unpleasant, and I got sick again. Father came in with a wet cloth and mopped up after me. I lay in a fever, listening to him chopping sticks to start a fire. After that I heard him lay the table.

Suddenly the front door banged open and Mother stormed in with Sonny in her arms, not her usual gentle, timid self, but a wild, raging woman. It was clear that she had heard it all from the neighbours.

“Mick Delaney,” she cried hysterically, “what did you do to my son?”

“Whisht, woman, whisht, whisht!” he hissed, dancing from one foot to the other. “Do you want the whole road to hear?”

“Ah,” she said with a horrifying laugh, “the road knows all about it by this time. The road knows the way you filled your unfortunate innocent child with drink to make sport for you and that other rotten, filthy brute.”

“But I gave him no drink,” he shouted, aghast at the horrifying interpretation the neighbours had chosen to give his misfortune. “He took it while my back was turned. What the hell do you think I am?”

“Ah,” she replied bitterly, “everyone knows what you are now. God forgive you, wasting our hard-earned few ha’pence on drink, and bringing up your child to be a drunken corner-boy like yourself.”

Then she swept into the bedroom and threw herself on her knees by the bed. She moaned when she saw the gash over my eye. In the kitchen Sonny set up a loud bawl on his own, and a moment later Father appeared in the bedroom door with his cap over his eyes, wearing an expression of the most intense self-pity.

“That’s a nice way to talk to me after all I went through,” he whined. “That’s a nice accusation, that I was drinking. Not one drop of drink crossed my lips the whole day. How could it when he drank it all? I’m the one that ought to be pitied, with my day ruined on me, and I after being made a show for the whole road.”

But the next morning, when he got up and went out quietly to work with his dinner-basket, Mother threw herself at me in the bed and kissed me. It seemed it was all my doing, and I was being given a holiday till my eye got better.

“My brave little man!” she said with her eyes shining. “It was God did it you were there. You were his guardian angel.”


Saturday, January 2, 2016

Star Wars: The Trailers


Last weekend we went to see the new Star Wars movie. I'm a pretty big Star Wars fan, and I had considered blogging my impressions of the movie. However everyone is doing that, so I decided to do something different: I decided to write about the accompanying trailers.

Below are some of the thoughts that went through my head as I watched the previews of coming attractions before Star Wars: The Force Awakens. They were all in 3-D, so put your glasses on now.

Brace yourself. Movie trailers these days are an assault on the senses. I knew I should have brought my ear plugs.

Kung Fu Panda? Okay, this isn't bad. No loud music or explosions. It's not good, either. Have you ever noticed that they always put the best jokes in the trailer? That does not bode well for
Kung Fu Panda 3. Wait—there was a Kung Fu Panda 2?

Now THIS is what a trailer should be: lots of noise and loud music. But what the hell is it? Some kind of
Lord of the Rings spin-off? I'm confused. These guys say they are orcs, but it looks like they're the good guys—or at least some of them are good guys. Warcraft? This must be based on a video game. No wonder I'm confused.

Batman vs. Superman! Cool! And Michael Cera as Lex Luthor! Or is that Jesse Eisenberg? I always get those two confused. This looks like fun and apparently is not, as the title would suggest, a courtroom drama. Wonder Woman?! ALL RIGHT!!!

This must be the new
Independence Day movie I heard about. The first one was ridiculous; I can't believe they made a sequel. No, wait. This is ANOTHER apocalyptic alien invasion movie: The 5th Wave. Ugh. Haven't we had enough of apocalypse movies?

Okay, THIS is
Independence Day. Because there's Jeff Goldblum, and there's a big spaceship. No sign of Will Smith, though; he's moved on to better things. I wonder how Jeff will defeat the aliens this time? As I recall, last time he was able to plug his Apple laptop into their spaceship (because everyone knows aliens are Apple-compatible). This time it should be even easier: he can use Bluetooth and his iPhone.

It looks like the X-Men are back, and it must be another prequel, because Professor X has hair.
X-Men: Apocalypse. Did I mention that I'm tired of apocalypse movies? But it IS the X-Men—and look, now the professor is bald. Guess he loses his hair in the apocalypse.

This is some scary stuff: a little kid lost in the jungle, threatened by ferocious animals. Lions and tigers and bears, and... a snake? Wait—is this
The Jungle Book? You've got to be kidding. They turned a fun, animated film into a terrifying live-action movie. WTF Disney? Okay, it can't be live-action, but it's extremely realistic CGI. A little kid floating down the river on the belly of an ANIMATED bear is cute.  A little kid floating down the river on the belly of a REAL bear is creepy as hell—ESPECIALLY with "Bare Necessities" playing eerily in the background.

Is this a remake of
Titanic? No, it can't be, because it's "based on true events." If you get seasick, DO NOT SEE THIS MOVIE—especially in 3-D. The Finest Hours? I don't think I could stand even a few finest minutes of this.

Good thing it's time for the feature.

Saturday, October 17, 2015

A Few Interesting Facts About Halloween


Most of the following facts come from The Book of Halloween, by Edna Kelley, A.M.,1 published in 1919. I mentioned this book in a previous post. At the time, I had not read it. Now I have, and hoo-boy, is it boring! However, it does contain a few interesting facts. For instance:

The Origin of Halloween

Halloween was invented by the Celts, an ancient people who inhabited what is now Ireland, Great Britain, and part of France. Of course, the Celts did not call it "Halloween." They called it "Samhain," a word which nobody can agree on the pronunciation of, except that it is definitely not pronounced "Samhain."

When the Romans invaded the Celts, they did not approve of their religion.2 They unsuccessfully tried to eliminate it by killing off the Celtic priests, who were known as "Druids."3 After the Romans became Christians, they again tried to wipe out the Celts' religion—this time more successfully—by repurposing their pagan holidays as Christian ones.4 Samhain became "All Saints' Day" or "All Hallows' Day," and the night before became "All Hallows' Eve." Later, this was shortened to "Hallowe'en." Still later, the apostrophe was dropped.5

Halloween Customs

There are many Halloween customs involving food, most of them having to do with foretelling whether or not one will find a mate. For example, if a young man successfully sticks his head in a tub of water and grabs an apple with his teeth, "his love affair will end happily."6 If he finds the ring, coin, or thimble concealed in his mashed potatoes or cake, he "will be married in a year, or if he is already married, will be lucky."7 Burning nuts can also be used to prognosticate one's love life, but it's a complicated process, and I won't go into it here.

Speaking of burning nuts, there are also many Halloween customs involving a dangerous proximity to fire. Bonfires were common, and of course candles were stuck inside gourds and turnips to make jack-o-lanterns. Candles were also used in party games: "In an old book there is a picture of a youth sitting on a stick placed across two stools. On one end of the stick is a lighted candle from which he is trying to light another in his hand." Imagine the excitement!8

Trick-or-Treating

I'm not sure the term "trick-or-treating" was in use when Edna Kelley wrote The Book of Halloween. She never mentions it, although she does mention tricks: "It is a night of ghostly and merry revelry. Mischievous spirits choose it for carrying off gates and other objects, and hiding them or putting them out of reach."

Adorable Pumpkin-Headed Mutants Steal a Gate

There was also something called "souling," which involved going door-to-door, begging for treats called "soul cakes:"
A soul! a soul! a soul-cake!
Please good Missis, a soul-cake!
An apple, a pear, a plum, or a cherry,
Any good thing to make us all merry.
9

A Robert Burns Hallowe'en

According to Ruth Edna Kelley, writing in 1919, "The taste in Hallowe'en festivities now is to study old traditions, and hold a Scotch party, using Burns' poem Hallowe'en as a guide..." I looked up Robert Burns' poem. Here are the last two verses:
In order, on the clean hearth-stane,
The luggies10 three are ranged,
And every time great care is ta'en',
To see them duly changed:
Auld Uncle John, wha wedlock joys
Sin' Mar's year did desire,
Because he gat the toom dish thrice,
He heaved them on the fire
In wrath that night.

Wi' merry sangs, and friendly cracks,
I wat they didna weary;
And unco tales, and funny jokes,
Their sports were cheap and cheery;
Till butter'd so'ns, wi' fragrant lunt,
Set a' their gabs a-steerin';
Syne, wi' a social glass o' strunt,
They parted aff careerin'
Fu' blythe that night.

There are twenty-eight verses in all. If, as Edna suggests, you wish to use it as a guide to host your own "Scotch party," you can find the whole poem here.

If you do, please let me know how it turns out—particularly with regard to the luggies.



Footnotes

1 "A.M.," of course, stands for "ante meridiem," which is Latin for "before midday." Apparently Edna was a morning person.

2 The Celts were "polytheists," which means they worshipped many gods. Of course, at that time the Romans were also polytheists, but the gods they worshipped were clearly superior because they were Roman.

3 It is believed that some Druids survived by using a form of magic known as the "Celtic Mind Trick" to make the Romans believe that "These are not the Druids you are looking for."

4 This tactic was also successfully employed with "Yule," which became Christmas, and "Chocolate Bunny and Egg Basket Day," which became Easter.

5 Because people are basically lazy.

6 If he is unsuccessful, his life may end unhappily—by drowning.

7 Or, more likely, will require the services of a dentist.

8 Especially when a guest set himself on fire.

9 Which, over the centuries, somehow devolved into:
Trick or treat, smell my feet!
Give me something good to eat!
If you don't, I don't care!
I'll pull down your underwear!

10 I know it sounds like something disgusting, but "luggies" are actually bowls, "one with clean, one with dirty water, and one left empty. The person wishing to know his fate in marriage was blindfolded, turned about thrice, and put down his left hand. If he dipped it into the clean water, he would marry a maiden; if into the dirty, a widow; if into the empty dish, not at all." (Actually, that is pretty disgusting—not to mention insulting to widows.)

Monday, September 7, 2015

Mythical History Tour


Yesterday while going through a box of old papers, I came across a research paper I wrote for a college journalism class: The Beatles and the Electronic Media. The paper was dull as dishwater, and don't worry, I won't ask you to read it. However, attached to it was the following brief essay, which I apparently wrote for extra credit. The professor enjoyed it and raised my grade from a B to an A, which made me realize that, if I was going to have a successful career as a writer (and as it turned out, I wasn't), it would have to be as a writer of complete nonsense.

The Beatles: 1920

In 1920 two young men from Liverpool, John Lennon and Paul McCartney, scraped up enough money to make a trip to London to see a special concert at the Paladium: Paul Whiteman and his Orchestra. It was a journey which would change their lives and the shape of the musical world.

Lennon and McCartney returned to Liverpool with the idea of forming their own big band. Unfortunately, they only had two takers: George Harrison and Richard Starkey, better known as Ringo Starr. Even so, they billed themselves as "The Lennon-McCartney Orchestra" and proceeded to try to take Liverpool by storm.

None of the four had had much experience with jazz; most of their musical experience was in the form of community band concerts: military marches, Gilbert and Sullivan and the like. They had managed to get hold of Scott Joplin's Red Back Book, and so were familiar with ragtime. Their early sound was a sort of bizarre Joplin-Sullivan-Whiteman hybrid. Amazingly, it caught on. Liverpool didn't know much about jazz, either.

In 1921, while playing their brand of jazz at a Liverpool nightspot, the group was discovered by Brian Epstein, who talked them into letting him become their manager by promising big bucks in the recording industry. It was Epstein who suggested that "The Lennon-McCartney Orchestra" was a ludicrous name for a four-man ensemble. He suggested "The Rolling Stones." They finally decided on "The Beatles."

Epstein took the group to a friend in the recording industry, George Martin. Martin liked the group's sound, and immediately signed them to a contract. Within a year their records were selling like hotcakes and being played on BBC Radio. The Jazz Age had hit Britain.

Perhaps the strangest phenomenon in the Beatles' career was their conquering of the United States. After all, we invented jazz, and surely we could tell the difference between the real thing and ersatz Liverpudlian. But perhaps by the time the Beatles hit our shore, we were jaded by the Charleston, flappers, and hooch. We were ready for something new. Early in 1923 U.S. radio stations got hold of copies of the Beatles' latest hit, "I'd Like to Hold Your Hand." Paul Whiteman heard it and invited the group to join him in giving a formal concert in New York City. George Gershwin was there, performing his own Rhapsody in Blue. In his autobiography, Gershwin states, "The Rhapsody in Blue was well received, but it was the group from England, the Beatles, that the people really came to see." Music critics have stated that they detect the Beatles' influence in much of Gershwin's later work.

From New York, the group traveled to Chicago, where they had the honor of sitting in with Jelly Roll Morton and his Red Hot Peppers. Morton had a profound influence on them, and is said to be the inspiration for what is considered their greatest work, Sgt. Pepper's Red Hot Band.

Throughout their tour, the group made many live appearances on radio, playing their Liverpool jazz and charming audiences with their wit and modesty. They returned to Britain and continued making hit records. Then, in 1927, they were asked by Warner Brothers to do a semi-documentary film, the first talky, The Jazz Singers. The Jazz Singers was a tremendous success (witness the number of remakes), but the jazz era was nearly over. By 1930, the Beatles had disbanded.

In the words of Duke Ellington, "They really had something. I don't know what it was. But you know, the first time I heard those boys, I thought they were black. That's how good they were."

Saturday, February 15, 2014

We All Live in a Yellow Mondegreen


I was nine years old when the Beatles made their historic appearance on The Ed Sullivan Show fifty years ago, and I missed it. I was watching part two of The Scarecrow of Romney Marsh on Disney's Wonderful World of Color (in black and white, as we did not have a color TV). At the time, I was more interested in Disney than rock and roll, but my tastes changed. I soon became a Beatles fan, as did everyone in my family, with the possible exception of my father. (I can't say that Dad, who preferred classical music, ever loved the Beatles, although he eventually grew to appreciate them.)


We had the first Capitol album (Meet the Beatles!) and we played it over and over again until we wore it out. I was envious of my friend Steve, who had all of the Capitol albums. My friends and I used to go to Steve's house, put the whole stack on his parents' state-of-the-art hi-fi, and jump around the living room, singing along with John, Paul, George, and Ringo. Singing along with the Beatles could be a challenge. It was sometimes difficult to understand what those four young Liverpudlians were singing, especially when they were trying to sound like Chuck Berry or Little Richard.

Speaking of Little Richard, his song Long Tall Sally, covered on the second Capitol album (imaginatively titled The Beatles' Second Album) was one of the songs that puzzled me most. What was it that Long Tall Sally had that Uncle John needed? Pretty good guitars? Pretty picture cards? Listening to the original Little Richard recording years later wasn't much help (although I did learn that surprisingly, in addition to being long and tall, Sally was also bald). But now, thanks to Google and the Internet, I can instantly look up the lyrics and discover that the mysterious line that troubled me all those years ago was—
Well Long Tall Sally's built pretty sweet
She got everything that Uncle John need
When I was a kid, there was no Google or Internet. You couldn't look up lyrics. You just sang out and hoped that you would not embarrass yourself. In the song, It Won't Be Long, I always sang—
Every day we'll be happy I know
Now I know that you won't beat me no more
—and no one corrected me. (The actual line, of course, is, "Now I know that you won't leave me no more.")

Misheard lyrics are known as "mondegreens"—a word coined by someone who misheard the lyric "laid him on the green" as "Lady Mondegreen." I learned about mondegreens about the same time I learned that the actual lyrics to She Loves You are—
You know it's up to you
I think it's only fair
Pride can hurt you too
Apologize to her
I always thought it was "The rightful thing to do / Apologize to her." It didn't seem right (or "rightful"), but it sort of made sense, and again, no one corrected me. Then, a few years ago, I heard Loretta singing the correct lyrics: "Pride can hurt you too." Boy, did I feel like a fool.

Loretta is pretty good at understanding hard-to-understand lyrics, but she doesn't always get it right, either. I always thought the lyrics to I Want to Hold Your Hand were—
And when I touch you I feel happy inside.
It's such a feeling that my love
I can't hide, I can't hide, I can't hide.
This time, it turns out I was right. Loretta thought that last line was "I get hives, I get hives, I get hives."